Las óleos de todo NATTIER, Jean-Marc
Choice ID Image  Painting (From A to Z)       Details 
8342 Comtesse de Tillieres sg  Comtesse de Tillieres sg   1750 Oil on canvas, 80 x 63 cm Wallace Collection, London
8341 Comtesse Tessin age  Comtesse Tessin age   1741 Oil on canvas, 81 x 65 cm Mus??e du Louvre, Paris
8337 Madame Marsollier and her Daughter sg  Madame Marsollier and her Daughter sg   1749 Oil on canvas Metropolitan Museum of Art, New York
8338 Madame Victoire ag  Madame Victoire ag   1748 Oil on canvas, 64 x 81 cm Mus??e de Versailles, Versailles
8340 Mademoiselle de Clermont en Sultane sg  Mademoiselle de Clermont en Sultane sg   1733 Oil on canvas, 109 x 105 cm Wallace Collection, London
8336 Marie Adelaide of France as Diana sg  Marie Adelaide of France as Diana sg   1745 Oil on canvas, 95 x 128 cm Galleria degli Uffizi, Florence
8335 Marie Adelaide of France as Flora ag  Marie Adelaide of France as Flora ag   1742 Oil on canvas, 94,5 x 128,5 cm Galleria degli Uffizi, Florence
44053 Marie Leczinska  Marie Leczinska   1748 Oil on canvas
8339 Portrait of a Young Woman Painter sg  Portrait of a Young Woman Painter sg   Oil on canvas La Cour d'Or, Mus??es de Metz, Metz
8343 Portrait of Madame Maria Zeffirina sg  Portrait of Madame Maria Zeffirina sg   1751 Oil on canvas, 70 x 82 cm Galleria degli Uffizi, Florence
49071 Portrait of Peter the Great  Portrait of Peter the Great   mk193 1717 Oil on canvas 142.5x110cm
67213 princesse de Masseran  princesse de Masseran   Description Charlotte Louise de Rohan (1722-1786), princesse de Masseran.jpg English: Painting of Charlotte Louise de Rohan, daughter of Hercule M??riadec de Rohan, Prince of Gu??m??n?? and Louise Gabrielle Julie de Rohan, by Nattier Date 1738
NATTIER, Jean-Marc
French Rococo Era Painter, 1685-1766 Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Acad?mie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as 'cold'. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud's famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Acad?mie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage).



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